IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks – unleashed in unpredictable disruptions. Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells. Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectatio… read more
IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and c… read more
IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from nume… read more
Under the pseudonym Eartheater, Alexandra Drewchin is a multi-instrumentalist and vocalist based in Queens New York. Contextually exploring incendiary subjects like alternate realities strung in the vastness of infinity, the isometrisity of time and space, the ambiguity of words, moral surreality, the evolution of sexuality in a digital age, and the nature of the mother board.
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Under the pseudonym Eartheater, Alexandra Drewchin is a multi-instrumentalist and vocalist based in Queens New York. Contextually exploring incendiary subjects like alternate realities stru… read more
Under the pseudonym Eartheater, Alexandra Drewchin is a multi-instrumentalist and vocalist based in Queens New York. Contextually exploring incendiary subjects like alternate realities strung in the vastness of infinity, the isometrisi… read more