:Of the Wand & the Moon:

Event
Of The Wand & The Moon / Deutsch Nepal / Dune Messiah
Date
16.04.2017 / 20:00
Cost
Organizer
Instruments of Discipline /
Address
Revaler Strasse 99 (Warschauer Str. x Revaler Str.)
Berlin,

and Instruments of Discipline present:

:Of The Wand & The Moon: Official (DK) live
-Twilight Tears Tour 2017 / full band show-
www.facebook.com/wandmoon
www.ofthewandandthemoon.dk

Deutsch Nepal (Official) (SWE) live
www.facebook.com/deutsch.nepal.generalstaab
www.deutschnepal.bandcamp.com

Dune Messiah (DK) live
www.facebook.com/dunemessiahcph
www.instrumentsofdiscipline.bandcamp.com/album/the-iron-oak

Luna Violenta (IT)
www.facebook.com/instrumentsofdiscipline
www.instrumentsofdiscipline.bandcamp.com/

Team Raubbau (D)
www.facebook.com/Raubbau.Label
www.raubbau.bandcamp.com

URBAN SPREE (RAW-Area)
Revaler Str. 99/Warschauer Str.
10245 Berlin
www.urbanspree.com
www.facebook.com/urbanspree

Tickets: www.aufnahmeundwiedergabe.de

—
Dark folk song-writer OF THE WAND & THE MOON will be on touraccompanied by his full band

Of the Wand & the Moon are one of the big guns of contemporary neofolk. Arriving a generation after founders like Death in June, Sol Invictus, and Current 93, Of the Wand & the Moon have breathed new life into this beautiful and perennially misunderstood genre. OTWATM’s 2011 The Lone Descent LP is widely regarded as a neofolk masterpiece.

Of The Wand & The Moon is the creative live and recorded music works of Danish musician Kim Larsen (not to be confused with the Danish folk singer by the same name) and various guest contributors. After irreconcilable differences with his previous musical project, Saturnus, Larsen began writing music of a different vein, similar in style to his neofolk influences but very different than the doom metal he had previously created.

Characterized by folk songs with themes ranging from expressions of love, loss, joy and ancestral Germanic paganism, Of the Wand & the Moon is best described as experimental, dark ambient neofolk. When their debut album “Nighttime Nightrhymes” came out in 1999 it marked a new entry for Denmark in a new wave of Germanic post-industrial folk projects, alongside contemporaries such as Forseti and Sonne Hagal.