The 18-minute Halleluwa creates an Amon Duul II-style rhythmic bacchanal at a totally different level, with torrid funk music scoured by Suzuki's jungle chanting. Slowly, the African component of the rhythm takes over and obliterates everything else. After five minutes the piece restarts in a purely instrumental form with a new funky pattern as the habitat for a population of both instrumental, vocal and artificial noises. Soon the most petulant guitar leads a jazzy improvisation punctuated by irregular drumming and looping keyboards. Suzuki resurrects at the very end, engaging… read more
The 18-minute Halleluwa creates an Amon Duul II-style rhythmic bacchanal at a totally different level, with torrid funk music scoured by Suzuki'… read more
The 18-minute Halleluwa creates an Amon Duul II-style rhythmic bacchanal at a totally different level, with torrid funk music scoured by Suzuki's jungle chanting. Slowly, the Africa… read more
Can was an experimental rock group founded in Cologne, Germany in 1968. Describing themselves as an "anarchist community", they constructed their music largely through improvisation and editing, in a way similar to several avant-garde composers of the time. They had only occasional commercial success, but exerted a huge influence on subsequent rock and electronic music. They are generally held to be one of the finest of the original Krautrock bands, and are among the most important experimental artists in recent music history. A lot of their initial popularity came from p… read more
Can was an experimental rock group founded in Cologne, Germany in 1968. Describing themselves as an "anarchist community", they constructed their music largely through improvisati… read more
Can was an experimental rock group founded in Cologne, Germany in 1968. Describing themselves as an "anarchist community", they constructed their music largely through improvisation and editing, in a way similar to several a…read more