This album, not to be confused with the ECM New Series effort of the same name, was Dino Saluzzi’s first for the label. Using only his two hands, the bandoneón master brings out the multifarious qualities of his instrument as no other can. In this music we feel decades upon decades of history compressed into every squeeze of the bellows, and find ourselves surrounded by yearned-for lands and traditions. Into these we are ceremoniously welcomed through “Kultrum Pampa – Introducción Y Malambo” (Introduction And Malambo). Flute and drum draw us out from the cave of our ignorance and in… read more
This album, not to be confused with the ECM New Series effort of the same name, was Dino Saluzzi’s first for the label. Using only his two hands, the… read more
This album, not to be confused with the ECM New Series effort of the same name, was Dino Saluzzi’s first for the label. Using only his two hands, the bandoneón master brings out the mult… read more
Timoteo "Dino" Saluzzi (born on May 20, 1935 in Campo Santo (Ingenio San Isidro), Salta Province) is an Argentine musician. The son of popular carpero composer and instrumentalist Cayetano Saluzzi, Dino played the bandoneón since his childhood. Other than his father, he was influenced by Salta musicians such as Cuchi Leguizamón, and by the lyrical strain of the tango of Francisco de Caro and Agustin Bardi. For much of his youth, Saluzzi lived in Buenos Aires, playing with the Radio El Mundo orchestra. He would play in orchestras for a living, while touring with smaller, so… read more
Timoteo "Dino" Saluzzi (born on May 20, 1935 in Campo Santo (Ingenio San Isidro), Salta Province) is an Argentine musician. The son of popular carpero composer and instrumentalist… read more
Timoteo "Dino" Saluzzi (born on May 20, 1935 in Campo Santo (Ingenio San Isidro), Salta Province) is an Argentine musician. The son of popular carpero composer and instrumentalist Cayetano Saluzzi, Dino played the bandoneón s… read more