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Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | Play track | Knives on Both Sides |
|
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3:29 | |||
| 2 | Play track | Don't Feel Anything |
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1:29 | |||
| 3 | Mpd |
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|||||
| 4 | Play track | Day to Day |
|
|
1:51 | |||
| 5 | Play track | Shade of Red |
|
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3:39 | |||
| 6 | Play track | On Film |
|
|
3:51 | |||
| 7 | Play track | Young Trash |
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2:05 | |||
| 8 | Play track | Shot the Beehive |
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1:49 | |||
| 9 | Play track | Post Graduate |
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1:07 | |||
| 10 | Play track | Better Life Through Chemistry |
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|
3:15 | |||
| 11 | Play track | Cemetery Secretary |
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2:06 | |||
| 12 | Play track | Future Victims |
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5:49 |
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External Links
About This Artist
Artist images
Ex-Cult
17,950 listeners
Taking cues from the psychedelic noise of the 1960’s, the art-damaged post-punk of the late 1970’s, and the aggression and immediacy of early 1980’s US Hardcore, Ex-Cult has curated a sound that audiences nationwide find accessible, yet not quite like anything else they’ve heard. Conceived at the legendary Memphis dive, the Lamplighter, by longtime friends Michael Peery (drums) and Chris Shaw (vocals), the band played their first show three months after the first practice, immediately gaining a local fan base and grabbing the attention of the Memphis punk institution known as Goner … read more
Taking cues from the psychedelic noise of the 1960’s, the art-damaged post-punk of the late 1970’s, and the aggression and immediacy of early 1980’s US Hardcore, Ex-Cult has curated a sound… read more
Taking cues from the psychedelic noise of the 1960’s, the art-damaged post-punk of the late 1970’s, and the aggression and immediacy of early 1980’s US Hardcore, Ex-Cult has curated a sound that audiences nationwide find accessible, ye… read more
