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Gérard Lesne
Stabat Mater pour soprano, contralto, cordes et basse continue: I. Stabat Mater dolorosa
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Gérard Lesne
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For Gérard Lesne, a straight line is not the shortest distance between two points. This self-taught musician's tastes initially drew him towards repertoires far removed from classical or Baroque music: his eclecticism attracted him to explore rock and jazz, then electronic music. As he met more and more musicians working in that area, he became fascinated by the medieval and Baroque repertoire. Among his earliest mentors, there was, first of all, René Clemencic who helped him discover, step by step and concert by concert, the beauty and expressiveness of Italian music. William … read more
For Gérard Lesne, a straight line is not the shortest distance between two points. This self-taught musician's tastes initially drew him towards repertoires far removed from classical … read more
For Gérard Lesne, a straight line is not the shortest distance between two points. This self-taught musician's tastes initially drew him towards repertoires far removed from classical or Baroque music: his eclecticism attracted hi… read more
