Laurie Spiegel's second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an instrument no longer available to her, the GROOVE System at Bell Laboratories, Spiegel moved on to composing and developing for the Alles Machine, alphaSyntauri, McLeyvier and various other instruments before creating an instrument entirely her own. Spiegel created "Music Mouse - An Intelligent Instrument" on a Macintosh 512k so that she could have an instrument that was not general purpose… read more
Laurie Spiegel's second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on… read more
Laurie Spiegel's second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an … read more
Laurie Spiegel (1945), a lute and banjo player by training, is a Chicago-born and New York-based composer of computer music who reacted to the futurism and dadaism of the early pioneers by developing an original aesthetic borrowed from folk music, creating relatively atmospheric and melodic music via arcane mathematical algorithms. Kepler's Harmony of the Worlds, Spiegel's realization of Johannes Kepler's book "Harmonices Mundi" was chosen for the opening track on the "Sounds of Earth" section of the golden record placed on board the Voyager spacecraft in 1977.
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Laurie Spiegel (1945), a lute and banjo player by training, is a Chicago-born and New York-based composer of computer music who reacted to the futurism and dadaism of the early pioneers by … read more
Laurie Spiegel (1945), a lute and banjo player by training, is a Chicago-born and New York-based composer of computer music who reacted to the futurism and dadaism of the early pioneers by developing an original aesthetic borrowed from… read more