It's surprising to me as someone who generally isn't that big on chip music that I'm on my third straight play through minusbaby's new album, Derecha. And even though I admittedly get fidgety and impatient on hearing more than one song at any given time in any given genre (chronic musical ADD), here I am humming along like an asshole, more forcefully with each repeated listen, ad-libbing riffs here and there while I finger-drum beats on my desktop like a white Candido, and quickly approaching my fourth return listen. As an album, it's a mature progression fr… read more
It's surprising to me as someone who generally isn't that big on chip music that I'm on my third straight play through minusbaby'… read more
It's surprising to me as someone who generally isn't that big on chip music that I'm on my third straight play through minusbaby's new album, Derecha. And even though… read more
Richard Alexander Caraballo began his minusbaby project in 1999 to explore the diversity of a lo-fi, compositional æsthetic and has since progressed experimentally in its scope to include elements guided by those roots and a sonic language representative of his influences, namely: the art of bass and how it moves butts. In addition to music, he is a prolific pixel artist who, since 1999, has been largely responsible for defining the unique aesthetics of the modern 8-bit creative movement. Spearheading the visual identities of 8bitpeoples, Pulsewave and the Blip Festival has contribu… read more
Richard Alexander Caraballo began his minusbaby project in 1999 to explore the diversity of a lo-fi, compositional æsthetic and has since progressed experimentally in its scope to include e… read more
Richard Alexander Caraballo began his minusbaby project in 1999 to explore the diversity of a lo-fi, compositional æsthetic and has since progressed experimentally in its scope to include elements guided by those roots and a sonic lang… read more