My earliest memory of a monkey is the scene in "Kingukongu tai Gojira" where King Kong opens a giant snake's mouth so far beyond it's natural extention point that it eventually looks like a mushroom with a long, wiggly, scaled stem. Sure, King Kong is an ape but to a 4 year old, it was a very big monkey with an attitude problem. It was also pretty bad-ass. So, in return for playfully horrific imagery, I managed to write an album dedicated to all things apish and monkeyed. Don't accept any imitations, this album is more real than Diddy Kong's learned vocabulary.
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My earliest memory of a monkey is the scene in "Kingukongu tai Gojira" where King Kong opens a giant snake's mouth so far beyond it… read more
My earliest memory of a monkey is the scene in "Kingukongu tai Gojira" where King Kong opens a giant snake's mouth so far beyond it's natural extention point that it … read more
Richard Alexander Caraballo began his minusbaby project in 1999 to explore the diversity of a lo-fi, compositional æsthetic and has since progressed experimentally in its scope to include elements guided by those roots and a sonic language representative of his influences, namely: the art of bass and how it moves butts. In addition to music, he is a prolific pixel artist who, since 1999, has been largely responsible for defining the unique aesthetics of the modern 8-bit creative movement. Spearheading the visual identities of 8bitpeoples, Pulsewave and the Blip Festival has contribu… read more
Richard Alexander Caraballo began his minusbaby project in 1999 to explore the diversity of a lo-fi, compositional æsthetic and has since progressed experimentally in its scope to include e… read more
Richard Alexander Caraballo began his minusbaby project in 1999 to explore the diversity of a lo-fi, compositional æsthetic and has since progressed experimentally in its scope to include elements guided by those roots and a sonic lang… read more