Sam Kidel's debut for The Death of Rave is little short of a modern ambient masterpiece. Following a celebrated debut for Entr’acte in 2015, the Young Echo and Killing Sound member's sophomore solo album is a playful, emotive inversion and subversion of muzak – that “background noise” variously known as “hold” music, “canned” music, or “lift” music – employing government call centre workers as unknowing agents in a dreamily detached yet subtly, achingly poignant 21-minute composition, backed with a DIY instrumental in case you, at home, want to get your phreak on. Drawing … read more
Sam Kidel's debut for The Death of Rave is little short of a modern ambient masterpiece. Following a celebrated debut for Entr’acte in 2015, the… read more
Sam Kidel's debut for The Death of Rave is little short of a modern ambient masterpiece. Following a celebrated debut for Entr’acte in 2015, the Young Echo and Killing Sound member&… read more
Sam Kidel is better known as El Kid. His uses his own name for his more abstract soundscapes, Untitled (Movements) in 2015 and Disruptive Muzak (2016).
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Sam Kidel is better known as El Kid. His uses his own name for his more abstract soundscapes, Untitled (Movements) in 2015 and Disruptive Muzak (2016).
View wiki
Sam Kidel is better known as El Kid. His uses his own name for his more abstract soundscapes, Untitled (Movements) in 2015 and Disruptive Muzak (2016).
View wiki