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Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | Play track | B1 (Anfang und Ende) |
|
|
6:04 | |||
| 2 | Play track | Die Oder |
|
|
5:12 | |||
| 3 | Play track | Menschen und Mauern |
|
|
5:17 | |||
| 4 | Play track | Sterbende Alleen |
|
|
7:35 | |||
| 5 | Play track | Nacht, Fluss, Grille, Auto, Frosch, Eule, Mücke |
|
|
5:00 | |||
| 6 | Play track | Der Wolf kehrt Zurück |
|
|
4:18 | |||
| 7 | Play track | Seelower Höhen |
|
|
4:10 | |||
| 8 | Play track | Trauernde Weiden |
|
|
4:19 | |||
| 9 | Play track | Das Bruch |
|
|
4:57 |
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External Links
About This Artist
Shed
95,363 listeners
You simply cannot pinpoint the moment in history when techno established itself as a new genre in dance music. Not anymore, anyway. Go ahead and try telling the story “the migration of the bassdrum”. You’ll realise quickly that all you get is a very pale picture, watered down by not-to-be-trusted records of oral history from the cities which played a major role in Techno. Historic developments are overshadowed by local characteristics and gossip. The bomb exploded. It splintered into thousands of little pieces, was absorbed by the mainstream or took the next available flight back in… read more
You simply cannot pinpoint the moment in history when techno established itself as a new genre in dance music. Not anymore, anyway. Go ahead and try telling the story “the migration of the … read more
You simply cannot pinpoint the moment in history when techno established itself as a new genre in dance music. Not anymore, anyway. Go ahead and try telling the story “the migration of the bassdrum”. You’ll realise quickly that all you… read more
