Returning with his first album in 13 years, Errorsmith's Superlative Fatigue, long-awaited release on PAN, arrives as his perhaps most optimistic record yet. Placing a strong emphasis on spectral exploration, the tracks tell an inherent story and span a musical arc with his recognisable synthesised tones, computerised vocal effects and timbral changes in motion. In comparison to his previous productions, Errorsmith (Erik Wiegand) sees the release as less abstract, harsh or aggressive: "I would say it is rather accessible and cheerful; at times ridiculously cheerful but sti… read more
Returning with his first album in 13 years, Errorsmith's Superlative Fatigue, long-awaited release on PAN, arrives as his perhaps most optimisti… read more
Returning with his first album in 13 years, Errorsmith's Superlative Fatigue, long-awaited release on PAN, arrives as his perhaps most optimistic record yet. Placing a strong emphas… read more
Cheekily named after Aerosmith, Erik Wiegand's project Errorsmith is a pure live performance. The third Errorsmith release contains a selection of live recordings made between 2001 and 2003 in various clubs and concert venues from Berlin to Chicago. Wiegand's performances are interpretations of classic disco and r'n b songs. Digitally synthesized, distorted and filtered clubmusic which goes far beyond its origin. The live sets are played on a laptop with a selfbuild digital live tool, a combination of a simple sequencer and a synthesizer. Errorsmith uses this tool to … read more
Cheekily named after Aerosmith, Erik Wiegand's project Errorsmith is a pure live performance. The third Errorsmith release contains a selection of live recordings made between 2001 and… read more
Cheekily named after Aerosmith, Erik Wiegand's project Errorsmith is a pure live performance. The third Errorsmith release contains a selection of live recordings made between 2001 and 2003 in various clubs and concert venues from… read more