The Palantír

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3:10
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Pippin too, it seems, is now awake. In his eyes is the same haunted look as before. Restlessly he pulls back his bedding and begins to walk towards the sleeping Gandalf. In two-part harmony, strings coupled with flute play the score’s first strains of Evil Times, with a slightly stretched contour, intimating that Pippin is not entirely himself. The writing becomes increasingly chromatic until Pippin’s goal becomes clear—he wants another look at the palantír. As Pippin pulls the orb from Gandalf’s hand, a new Ring theme coupling begins. In a streamlined four-note phrase Shore introdu… read more
Pippin too, it seems, is now awake. In his eyes is the same haunted look as before. Restlessly he pulls back his bedding and begins to walk towards t… read more
Pippin too, it seems, is now awake. In his eyes is the same haunted look as before. Restlessly he pulls back his bedding and begins to walk towards the sleeping Gandalf. In two-part harm… read more

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About This Artist

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Howard Shore

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Howard Leslie Shore OC (born October 18, 1946) is a Canadian who is notable for his film scores. He has composed the scores for over 80 films, most notably the scores for The Lord of the Rings and The Hobbit film trilogies. He won three Academy Awards for his work on the first trilogy, with one being for the original song "Into the West", an award he shared with Eurythmics lead vocalist Annie Lennox and writer/producer Fran Walsh, who wrote the lyrics. He is also a consistent collaborator with director David Cronenberg, having scored all but one of his films since… read more
Howard Leslie Shore OC (born October 18, 1946) is a Canadian who is notable for his film scores. He has composed the scores for over 80 films, most notably the scores for The Lord … read more
Howard Leslie Shore OC (born October 18, 1946) is a Canadian who is notable for his film scores. He has composed the scores for over 80 films, most notably the scores for The Lord of the Rings and The Hobbit film trilogies. He… read more

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