Join others and track this album
Scrobble, find and rediscover music with a Last.fm account
Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 31 | Play track | But Not For Me |
|
|
2:50 | |||
| 32 | The Shadow of Your Smile (Remastered) |
|
|
2:37 | ||||
| 33 | Willow Weep for Me (Remastered) |
|
|
|||||
| 34 | It All Depends On You (1996 Digital Remaster) |
|
|
3:08 | ||||
| 35 | Lawrence Of Arabia (Remastered) |
|
|
2:53 | ||||
| 36 | A Pretty Girl Is Like a Melody (Remastered) |
|
|
|||||
| 37 | Medley: Deep Purple / Blue Velvet |
|
|
5:54 | ||||
| 38 | That's All (Remastered) |
|
|
|||||
| 39 | The Girl From Ipanema (1996 Digital Remaster) |
|
|
2:55 | ||||
| 40 | Moon River (Remastered) |
|
|
3:00 |
Similar Albums
Scrobble Stats
Recent Listening Trend
| Day | Listeners |
|---|---|
| 21 | |
| 14 | |
| 25 | |
| 24 | |
| 23 | |
| 13 | |
| 21 | |
| 28 | |
| 24 | |
| 23 | |
| 22 | |
| 23 | |
| 15 | |
| 16 | |
| 23 | |
| 20 | |
| 15 | |
| 24 | |
| 18 | |
| 25 | |
| 17 | |
| 30 | |
| 22 | |
| 21 | |
| 32 | |
| 27 | |
| 19 | |
| 23 | |
| 32 | |
| 25 | |
| 23 | |
| 22 | |
| 18 | |
| 25 | |
| 21 | |
| 22 | |
| 26 | |
| 24 | |
| 24 | |
| 23 | |
| 21 | |
| 25 | |
| 23 | |
| 23 | |
| 20 | |
| 18 | |
| 26 | |
| 21 | |
| 25 | |
| 21 | |
| 20 | |
| 17 | |
| 18 | |
| 25 | |
| 26 | |
| 29 | |
| 31 | |
| 16 | |
| 32 | |
| 33 | |
| 29 | |
| 28 | |
| 34 | |
| 29 | |
| 21 | |
| 26 | |
| 31 | |
| 26 | |
| 15 | |
| 20 | |
| 24 | |
| 18 | |
| 21 | |
| 25 | |
| 23 | |
| 18 | |
| 23 | |
| 23 | |
| 22 | |
| 18 | |
| 27 | |
| 16 | |
| 19 | |
| 14 | |
| 14 | |
| 18 | |
| 18 | |
| 22 | |
| 26 | |
| 21 | |
| 18 | |
| 23 | |
| 20 | |
| 20 | |
| 21 | |
| 25 | |
| 20 | |
| 17 | |
| 28 | |
| 20 | |
| 13 | |
| 25 | |
| 26 | |
| 25 | |
| 21 | |
| 22 | |
| 20 | |
| 16 | |
| 19 | |
| 38 | |
| 23 | |
| 20 | |
| 23 | |
| 19 | |
| 19 | |
| 36 | |
| 19 | |
| 25 | |
| 27 | |
| 18 | |
| 22 | |
| 25 | |
| 28 | |
| 26 | |
| 15 | |
| 19 | |
| 21 | |
| 21 | |
| 21 | |
| 25 | |
| 22 | |
| 21 | |
| 20 | |
| 20 | |
| 16 | |
| 28 | |
| 32 | |
| 18 | |
| 21 | |
| 24 | |
| 12 | |
| 24 | |
| 17 | |
| 23 | |
| 19 | |
| 27 | |
| 24 | |
| 18 | |
| 19 | |
| 21 | |
| 18 | |
| 20 | |
| 19 | |
| 25 | |
| 22 | |
| 21 | |
| 21 | |
| 20 | |
| 16 | |
| 13 | |
| 10 | |
| 16 | |
| 18 | |
| 25 | |
| 18 | |
| 17 | |
| 21 | |
| 16 | |
| 19 | |
| 19 | |
| 13 | |
| 24 | |
| 16 | |
| 20 | |
| 21 | |
| 18 | |
| 29 | |
| 12 | |
| 15 | |
| 21 | |
| 18 |
About This Artist
Jackie Gleason
78,552 listeners
Throughout the 1950s and early-1960s, Jackie Gleason enjoyed a secondary music career, lending his name to a series of best-selling mood music albums with jazz overtones for Capitol. Gleason felt there was a ready market for romantic instrumentals. He recalled seeing Clark Gable play love scenes in movies, and the romance was, in his words, "magnified a thousand percent" by background music. Gleason reasoned, "If Gable needs music, a guy in Brooklyn must be desperate!" Gleason could not read or write music in a conventional sense; he was said to have conceived me… read more
Throughout the 1950s and early-1960s, Jackie Gleason enjoyed a secondary music career, lending his name to a series of best-selling mood music albums with jazz overtones for Capitol. Gleaso… read more
Throughout the 1950s and early-1960s, Jackie Gleason enjoyed a secondary music career, lending his name to a series of best-selling mood music albums with jazz overtones for Capitol. Gleason felt there was a ready market for romantic i… read more
