曲单
| 音轨号 | 播放 | 喜爱 | 曲目名称 | 艺术家姓名 | 购买 | 选项 | 时长 | 听众 |
|---|---|---|---|---|---|---|---|---|
| 1 | 播放单曲 | Main Title |
|
|
2:43 | |||
| 2 | Safe House |
|
|
1:40 | ||||
| 3 | Speaking of Sarah |
|
|
1:42 | ||||
| 4 | Pentagon |
|
|
2:25 | ||||
| 5 | Han |
|
|
1:30 | ||||
| 6 | Marvin At Work |
|
|
1:31 | ||||
| 7 | Victoria Calls |
|
|
3:10 | ||||
| 8 | Han Plane Gone |
|
|
1:19 | ||||
| 9 | To Paris |
|
|
2:44 | ||||
| 10 | Paris Chase |
|
|
2:42 | ||||
| 11 | I Need You Frank |
|
|
1:43 | ||||
| 12 | Dressed To Kill |
|
|
1:02 | ||||
| 13 | To London |
|
|
2:45 | ||||
| 14 | To Moscow |
|
|
4:27 | ||||
| 15 | Hole In the Wall |
|
|
3:21 | ||||
| 16 | Sarah the Guard |
|
|
2:45 | ||||
| 17 | Catacombs |
|
|
3:47 | ||||
| 18 | Bailey Escapes |
|
|
1:51 | ||||
| 19 | Hangar Fight |
|
|
2:21 | ||||
| 20 | Entering the Embassy |
|
|
2:53 | ||||
| 21 | Plumbing |
|
|
2:36 | ||||
| 22 | London Chase |
|
|
3:53 | ||||
| 23 | Dasvidaniya |
|
|
2:26 | ||||
| 24 | Bomb Sunset |
|
|
2:33 |
相似专辑
音乐记录数据
最近收听趋势
| 天 | 听众 |
|---|---|
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 1 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 1 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 1 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 2 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 0 | |
| 2 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 2 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 1 | |
| 1 | |
| 0 | |
| 0 | |
| 0 | |
| 1 | |
| 0 | |
| 0 | |
| 0 |
外部链接
关于此艺术家
Alan Silvestri
755464 位听众
Alan Silvestri 早年以为低成本B级电影和电视剧配乐出名，1985年为暑期大片《回到未来》（BACK TO THE FUTURE）配乐，一战成名。他处理动作电影的音乐方式也创造了好莱坞的“重低音打击乐”派别，他常常光用电脑合成音效就完成整部电影配乐，而根本不用任何乐器，在乐界他甚至有“重击老大”（HITTING BOSS）的外号，堪称九零年代好莱坞最具代表性的电影作曲家。在九零年代后期席维史崔也开始重视乐曲情感深度。他为《阿甘正传》所作的配乐令人耳目一新，并获当年奥斯卡提名。
查看维基
Alan Silvestri 早年以为低成本B级电影和电视剧配乐出名，1985年为暑期大片《回到未来》（BACK TO THE FUTURE）配乐，一战成名。他处理动作电影的音乐方式也创造了好莱坞… 了解更多
Alan Silvestri 早年以为低成本B级电影和电视剧配乐出名，1985年为暑期大片《回到未来》（BACK TO THE FUTURE）配乐，一战成名。他处理动作电影的音乐方式也创造了好莱坞的“重低音打击乐”派别，他常常光用电脑合成音效就完… 了解更多
