曲单
| 音轨号 | 播放 | 喜爱 | 曲目名称 | 艺术家姓名 | 购买 | 选项 | 时长 | 听众 |
|---|---|---|---|---|---|---|---|---|
| 1 | Sweet Little Sixteen - 1967 Version |
|
|
2:13 | ||||
| 2 | Memphis - 1967 Version |
|
|
2:07 | ||||
| 3 | School Days - 1967 Version |
|
|
2:34 | ||||
| 4 | Maybellene - 1967 Version |
|
|
2:35 | ||||
| 5 | Back In The U.S.A. - 1967 Version |
|
|
2:28 | ||||
| 6 | 播放单曲 | Around And Around - 1967 Version |
|
|
2:19 | |||
| 7 | Brown Eyed Handsome Man - 1967 Version |
|
|
2:21 | ||||
| 8 | Johnny B. Goode - 1967 Version |
|
|
2:43 | ||||
| 9 | Rock And Roll Music - 1967 Version |
|
|
2:31 | ||||
| 10 | Roll Over Beethoven - 1967 Version |
|
|
2:01 | ||||
| 11 | Thirty Days - 1967 Version |
|
|
2:11 | ||||
| 12 | Carol - 1967 Version |
|
|
2:23 | ||||
| 13 | Let It Rock - 1967 Version |
|
|
1:53 | ||||
| 14 | Reelin' And Rockin' - 1967 Version |
|
|
4:16 | ||||
| 15 | Club Nitty Gritty - 1967 Version |
|
|
2:16 |
相似专辑
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外部链接
关于此艺术家
Chuck Berry
2297925 位听众
“超越贝多芬，把这个消息告诉柴柯夫斯基。” 布鲁斯、乡村、一点点的拉丁…在上个世纪五十年代中期，Chuck Berry将这些音乐风格全部融入到了他的个人招牌式的摇滚当中。作为当时的吉他灵魂人物之一，Chuck创造了最基本的12小节摇滚solo的乐句模式，他的吉他licks至今仍被众多的吉他手模仿和研究。他在舞台上弹奏吉他时跳着滑稽的"鸭子步"和煽情的摇摆舞也是让众多歌迷疯狂地爱上吉他音乐的原因。六十年代，两支欧美最受欢迎的摇滚乐队Beatles和the Rolling Stones都受到了Chuck Berry的影响。可以说正是Chuck这位黑人开创了白人摇滚的神话。 忘记"猫王"吧，Chuck Berry才是真正的摇滚乐之父。他汇集布鲁斯和乡村音乐的风格，以激烈的吉他演奏标志着吉他这种乐器开始成为摇滚乐中的重要角色。Berry用大音量的吉他licks和充满暗示的歌词着实把50年代的一本正经的听众们惊呆了。人们从那时开始意识到摇滚乐有着超越贝多芬的力量。显示活力的double stop（在独奏中同时弹奏两个和弦音）和轻松幽默的推弦是他的演奏特点。 Chuck Berry，摇滚乐真正的先行者，凭着一把老吉他在摇滚乐这片待开垦的草原上纵横驰骋，挥洒自如。滚石杂志在吹捧猫王的时候说，“很多人都认为摇滚乐是1954年在孟菲… 了解更多
“超越贝多芬，把这个消息告诉柴柯夫斯基。” 布鲁斯、乡村、一点点的拉丁…在上个世纪五十年代中期，Chuck Berry将这些音乐风格全部融入到了他的个人招牌式的摇滚当中。作为当时的吉他灵魂人物之一，… 了解更多
“超越贝多芬，把这个消息告诉柴柯夫斯基。” 布鲁斯、乡村、一点点的拉丁…在上个世纪五十年代中期，Chuck Berry将这些音乐风格全部融入到了他的个人招牌式的摇滚当中。作为当时的吉他灵魂人物之一，Chuck创造了最基本的12小节摇滚solo的乐句… 了解更多
