曲单
| 音轨号 | 播放 | 喜爱 | 曲目名称 | 艺术家姓名 | 购买 | 选项 | 时长 | 听众 |
|---|---|---|---|---|---|---|---|---|
| 1 | 播放单曲 | Maybellene |
|
|
2:36 | |||
| 2 | 播放单曲 | Wee Wee Hours |
|
|
3:05 | |||
| 3 | 播放单曲 | Thirty Days |
|
|
2:13 | |||
| 4 | Together (We Will Always Be) |
|
|
2:38 | ||||
| 5 | 播放单曲 | You Can't Catch Me |
|
|
2:47 | |||
| 6 | 播放单曲 | Roly Poly |
|
|
2:49 | |||
| 7 | 播放单曲 | Berry Pickin' |
|
|
2:32 | |||
| 8 | 播放单曲 | Downbound Train |
|
|
2:47 | |||
| 9 | 播放单曲 | No Money Down |
|
|
2:57 | |||
| 10 | 播放单曲 | Drifting Heart |
|
|
2:49 | |||
| 11 | 播放单曲 | Brown Eyed Handsome Man |
|
|
2:17 | |||
| 12 | 播放单曲 | Roll over Beethoven |
|
|
2:22 | |||
| 13 | 播放单曲 | Too Much Monkey Business |
|
|
2:55 | |||
| 14 | 播放单曲 | Havana Moon |
|
|
3:06 | |||
| 15 | 播放单曲 | Rock and Roll Music |
|
|
2:33 | |||
| 16 | 播放单曲 | Deep Feeling |
|
|
2:18 | |||
| 17 | 播放单曲 | School Days |
|
|
2:35 | |||
| 18 | 播放单曲 | La Juanda |
|
|
3:08 | |||
| 19 | 播放单曲 | Blue Feeling |
|
|
3:01 | |||
| 20 | 播放单曲 | Low Feeling |
|
|
3:09 | |||
| 21 | Wee Wee Hours (Blues) (Alternate) |
|
|
3:03 | ||||
| 22 | 播放单曲 | How You've Changed |
|
|
2:48 | |||
| 23 | 播放单曲 | Rock and Roll Music |
|
|
2:33 | |||
| 24 | 播放单曲 | Oh Baby Doll |
|
|
2:38 | |||
| 25 | 播放单曲 | Sweet Little Sixteen |
|
|
2:46 | |||
| 26 | Thirteen Question Method (Alternate) |
|
|
2:42 | ||||
| 27 | 播放单曲 | How High the Moon |
|
|
3:08 | |||
| 28 | 播放单曲 | I've Changed |
|
|
3:04 | |||
| 29 | 播放单曲 | Sweet Little Sixteen |
|
|
2:46 | |||
| 30 | 播放单曲 | Rockin' at the Philharmonic |
|
|
3:24 |
相似专辑
音乐记录数据
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外部链接
关于此艺术家
Chuck Berry
2298267 位听众
“超越贝多芬，把这个消息告诉柴柯夫斯基。” 布鲁斯、乡村、一点点的拉丁…在上个世纪五十年代中期，Chuck Berry将这些音乐风格全部融入到了他的个人招牌式的摇滚当中。作为当时的吉他灵魂人物之一，Chuck创造了最基本的12小节摇滚solo的乐句模式，他的吉他licks至今仍被众多的吉他手模仿和研究。他在舞台上弹奏吉他时跳着滑稽的"鸭子步"和煽情的摇摆舞也是让众多歌迷疯狂地爱上吉他音乐的原因。六十年代，两支欧美最受欢迎的摇滚乐队Beatles和the Rolling Stones都受到了Chuck Berry的影响。可以说正是Chuck这位黑人开创了白人摇滚的神话。 忘记"猫王"吧，Chuck Berry才是真正的摇滚乐之父。他汇集布鲁斯和乡村音乐的风格，以激烈的吉他演奏标志着吉他这种乐器开始成为摇滚乐中的重要角色。Berry用大音量的吉他licks和充满暗示的歌词着实把50年代的一本正经的听众们惊呆了。人们从那时开始意识到摇滚乐有着超越贝多芬的力量。显示活力的double stop（在独奏中同时弹奏两个和弦音）和轻松幽默的推弦是他的演奏特点。 Chuck Berry，摇滚乐真正的先行者，凭着一把老吉他在摇滚乐这片待开垦的草原上纵横驰骋，挥洒自如。滚石杂志在吹捧猫王的时候说，“很多人都认为摇滚乐是1954年在孟菲… 了解更多
“超越贝多芬，把这个消息告诉柴柯夫斯基。” 布鲁斯、乡村、一点点的拉丁…在上个世纪五十年代中期，Chuck Berry将这些音乐风格全部融入到了他的个人招牌式的摇滚当中。作为当时的吉他灵魂人物之一，… 了解更多
“超越贝多芬，把这个消息告诉柴柯夫斯基。” 布鲁斯、乡村、一点点的拉丁…在上个世纪五十年代中期，Chuck Berry将这些音乐风格全部融入到了他的个人招牌式的摇滚当中。作为当时的吉他灵魂人物之一，Chuck创造了最基本的12小节摇滚solo的乐句… 了解更多
