曲单
| 音轨号 | 播放 | 喜爱 | 曲目名称 | 艺术家姓名 | 购买 | 选项 | 时长 | 听众 |
|---|---|---|---|---|---|---|---|---|
| 1 | Too Tight This Rag of Mine - Live |
|
|
3:04 | ||||
| 2 | You've Been Doing Something Wrong (Live) |
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|
|||||
| 3 | Blind Man Messed Up By Tear Gas - Live |
|
|
5:50 | ||||
| 4 | Instrumental - Live |
|
|
3:06 | ||||
| 5 | 播放单曲 | How Can A Poor Man Stand Such Times and Live |
|
|
6:36 | |||
| 6 | Slow Consumption - Live |
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|
7:46 | ||||
| 7 | Forget That Folding Bridge - Live |
|
|
6:26 | ||||
| 8 | Fool For A Cigarette/Feelin' Good |
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|||||
| 9 | 播放单曲 | Crazy 'Bout an Automobile |
|
|
5:31 | |||
| 10 | Feelin' Like a Submarine (Kentucky Blues) - Live |
|
|
4:55 | ||||
| 11 | Don't Take Everybody to Be a Friend - Live |
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|
4:11 | ||||
| 12 | The Tattler - Live |
|
|
5:45 | ||||
| 13 | One Meat Ball - Live |
|
|
1:36 | ||||
| 14 | Preacher - Live |
|
|
2:50 | ||||
| 15 | Vigilante Man (Live) |
|
|
6:19 |
相似专辑
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外部链接
关于此艺术家
Ry Cooder
446427 位听众
我的msn：miaoyufan@msn.com，欢迎交流 为了追溯徘徊在主流之外的美国历史（主要是指南部），吉他手Ry Cooder与古巴吉他手Manuel Galban在这张《Mambo Sinuendo》中联手。灵感源于1950年代古巴作曲家Perez Prado对mambo音乐与美国流行音乐的成功融合，但Cooder和Galban试图通过电子吉他来创造新的风格。把Fender吉他脆弱敏感的声音与mambo厚重的节奏组合在一起，Cooder和Galban为北美和南美音乐寻找到一个迷人的灵魂交界点。 Cooder和Galban在技术上颇具野心，整张专辑的吉他演奏，听起来粗糙且毫无章法。对于Cooder和Galban这样的行家来说，这种做法也许稍显做作，但恰好就是这种“业余”手法为唱片创造出其民间风情。“Dru Me Negrita”中微微发亮的虚构和弦，还有“Patricia”中轰鸣和音都让人怀念Django Reinhardt的无比真诚。整个乐队在“Monte A Dentro”中兴过头，在曲子结尾时“急流勇退”，依然“泄露”了他们的兴奋。 有人或许要质疑Cooder的《再见社交会（Buena Vista Social Club）》和另一古巴专辑的百万大热卖的动机。但他风情万种的南部风味和文化之旅早在Buena Vista之前就可见端靡。《Mambo Sinuend… 了解更多
我的msn：miaoyufan@msn.com，欢迎交流 为了追溯徘徊在主流之外的美国历史（主要是指南部），吉他手Ry Cooder与古巴吉他手Manuel Galban在这张《Mambo Sinuen… 了解更多
我的msn：miaoyufan@msn.com，欢迎交流 为了追溯徘徊在主流之外的美国历史（主要是指南部），吉他手Ry Cooder与古巴吉他手Manuel Galban在这张《Mambo Sinuendo》中联手。灵感源于1950年代古巴作曲家Per… 了解更多
