Date
Monday 23 September 2013 at 8:00pm
Location
Cafe OTO
18-22 Ashwin Street,
London,
E8 3DL,
United Kingdom
Link
http://www.cafeoto.co.uk/j-spaceman-kid-millions-pat-thomas-date-palms-plankton-wat.shtm
Description
Tickets : £10 adv, £12 on the door
http://www.wegottickets.com/event/230723
All Time Low Presents:
MAN FOREVER (KID MILLIONS) / J SPACEMAN / PAT THOMAS
John Colpitts (aka Kid Millions) is a Brooklyn-based multi-instrumentalist, composer and writer who is perhaps best known as the drummer for Oneida. Man Forever, his vehicle for exploring the outer limits of drum performance, was created to overwhelm, to investigate the nuances that bloom in the midst of repetitive music, and to act as a pure sound experience. Having recently been enlisted to play drums for Spiritualized, John is tonight joined by J Spaceman and Pat Thomas for a very special one off performance.
DATE PALMS
Date Palms revolves around the core duo of Gregg Kowalsky (keyboards, electronics) and Marielle Jakobsons (violin, flute, electronics). They employ traditional rock instrumentation to create music informed by Indian classical music, country, minimalism, and spiritual jazz, arriving at a style that is wholly their own. On their third album, The Dusted Sessions, the duo expanded the line-up to include Ben Bracken on electric bass, Michael Elrod on tanpura, and Noah Philips on electric guitar (a first for the band). Kowalsky and Jakobsons are both accomplished solo musicians in their own right: Kowalsky has released ambient albums on Kranky as well as a collaborative release with Josef Van Wissem on Amish, and Jakobsons has released music on the Digitalis and Students of Decay labels. Date Palms uses the sound an imagery of the dustbowl and the American West to express something truly cosmic and unique within the already highly individualistic Bay Area underground.
PLANKTON WAT
Portland musician Dewey Mahood is one of the most versatile and prolific musicians in the modern psychedelic underground. As Plankton Wat, he has explored the outer reaches of folk and synthesized drift since the mid-aughts, and his dedication to improvisation above all else, his restless exploratory spirit, has earned him his place as a dark horse in the continuum of contemporary sonic explorers such as Sun Araw (with whom he has collaborated), Expo ’70, Steve Gunn, Herbcraft, and Daniel Higgs.
Following his departure from heavy-psych mainstays Eternal Tapestry in late 2012, Plankton Wat has emerged as Mahood’s primary musical focus, which is instantly apparent on his latest sojourn, Drifter’s Temple. Rather than improvising live to tape and editing the pieces judiciously as he has on his previous tapes, CD-Rs, and limited LPs, these songs emerged from rehearsals and took form during live performances over the past year before being laid to tape. Mahood utilized 6 and 12 string guitars, lap steel, bass, organ, and synth to realize these richly detailed songs.
Line-up (5)
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