Biography
Corazzata Valdemone was born in early 2003 as a side project of the singer of the Neo-Folk band Kannonau. The intent that move this act, is to create a music strongly provocative and aggressive, through a Power Electronics style really raw and ultraist, with a touch of humor noir!
The music is simply labeled as Totalitarian Industrial, fusing concrete sounds, crowd in delirium, insane synth, underground beats and samples stolen to the history, all together interlaced and compressed until the complete synthesis, becoming the words sound, and the sound a message, clear and unmistakable.
The music of Corazzata Valdemone interpret the concept of chaos non as simply disorder or confusion, but in a way that appreciate the completeness and the synthesis, glutting every perceptible frequencies with walls of noise, under it crawling messages and words that permeate the deepest layers of the mind in a totalitarian brainwashing.
This is simply a futurist hymn to the chaos, every other interpretation is considered wrong!
Corazzata Valdemone is the materialization of the noise. The noise conceived like sound, the noise conceived like communication, the noise conceived like way to extreme the more beautiful mass media: MUSIC. Music extremely noisy or extremely communicative noise? In any case the fact remains that is extreme! A never ending manipulation created from the stratification of sounds, messages and noises, until the attainment of the Chaos. Corazzata Valdemone reflects the concept of Chaos not conceived like simple disorder or confusion but like completeness and synthesis. A continuous distortion of the standardized rules and the conformism, an abstraction of the sound and the same concept of music that can equally transmit the own attempts and ideals through pure and disturbing adrenalin. Music is a pleasant one to follow itself of vibrations, but the pleasantness of these vibrations is subjective and personal and reflects always the sensibility of the composer. But like all the musicians who respect themselves, music has behind something very more nobleman and poetic, the motivation that it grossly pushes to the composition we call lyrics.
Music is born like simple accompaniment of the words, one natural evolution of the old and perhaps forgotten concept about the ballad-singer. Therefore music in order to communicate something. Therefore noise in order to say it more strong! The compositions Corazzata Valdemone are born with this attempt and there where not there are the words, or there are and just it is impossible to perceive them, wants to say that music of it acquits enough well the place from being able some to make less. The plan Corazzata Valdemone centralizes the composition of own music on the search of the sound, on the frequencies altered, the manipulation of real sounds until the attainment of one music for sure backs tactile, realizes at the same time but visceral, deep, grinding and three-dimensional. An extreme sound and disturbing accompanies a concept strongly ironic, provocative, sardonic and extremist and consequently criticisable from less attention or most superficial. The plan does not have some scope of propaganda or of apology, it does not belong to no political alignment, moved from the simply love of the Native land, it proposes to create a sound that through the alliance between music, samples and lyrics, can read again in modern key an age characterized from strong emotions, ideals and fervours that today I would label simply patriotic. Any other interpretation of music of Corazzata Valdemone is considered wrong!
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