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As people run out of original ideas in our current day and age, a sequel is frequently a gimmick for money or attention. The most obvious examples that come to mind exist in the cinematic world, but music contains some as well, such as Queensrÿche's Operation Mindcrime II, or Metallica’s three Unforgivens. Fortunately, Edge of Sanity's followup to their esteemed 1996 album Crimson (which I have already reviewed and given an 80%) is a sequel that upholds the legacy of its predecessor. I shall break this down into two sections, one that addresses the sound and the songwriting, and then, of course one that addresses this song as one flowing composition. Naturally, this review will be rife with comparison to the original Crimson.
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