John Renbourn’s first post-Pentangle (or nearly post-Pentangle) solo album, joined briefly by fellow guitarist Dominique Trepeau and featuring further contributions by John James, is one of his most beautiful recordings, and also among his most spare guitar instrumentals. Some of the material is drawn from lute and harp sources, and it is ear-opening to hear some of the more familiar pieces among the latter (such as “O’Carolan’s Concerto”) transcribed for guitar, but Renbourn isn’t above adapting themes from television commercials, either. The mood of much — though not all — of Herm… read more
John Renbourn (August 8, 1944, Marylebone, London, England-March 26, 2015) was a British guitarist and songwriter. He is possibly best-known for his collaboration with guitarist Bert Jansch as well as his work with the folk group The Pentangle, although he maintained a solo career both before, during and after that band's existence (1967-1973). While most commonly labelled a folk musician, Renbourn's musical tastes and interests take in early music, classical music, blues and world music. His most influential album, Sir John Alot (1968), featured his take on songs from the… read more
John Renbourn (August 8, 1944, Marylebone, London, England-March 26, 2015) was a British guitarist and songwriter. He is possibly best-known for his collaboration with guitarist Bert Jansch…read more
John Renbourn (August 8, 1944, Marylebone, London, England-March 26, 2015) was a British guitarist and songwriter. He is possibly best-known for his collaboration with guitarist Bert Jansch as well as his work with the folk group The P…read more