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"West End Girls" is a song by English synth-pop duo Pet Shop Boys. Written by Neil Tennant and Chris Lowe, the song was released twice as a single. The song's lyrics are concerned with class and the pressures of inner-city life which were inspired partly by T. S. Eliot's poem The Waste Land. It was generally well received by contemporary music critics and has been frequently cited as a highlight in the duo's career.
The first version of the song was produced by Bobby Orlando and was released on Columbia Records' Bobcat Records imprint in April 1984, becoming a club hit in the United States and some European countries. After the duo signed with EMI, the song was re-recorded with producer Stephen Hague for their first studio album, Please. In October 1985, the new version was released, reaching number one in the United Kingdom and the United States in 1986.
In 1987, the song won Best Single at the Brit Awards, and Best International Hit at the Ivor Novello Awards. In 2005, 20 years after its release, the song was awarded Song of The Decade between the years 1985 and 1994 by the British Academy of Composers and Songwriters. A critic's poll in 2020 by The Guardian selected "West End Girls" as the greatest UK number-one single.
"West End Girls" is a synth-pop song influenced by hip hop music. The song's socially conscious streak, as well as the propulsive bass line, derives from Grandmaster Flash's protest rap song "The Message". Lowe and Hague created a "snaky, obsessive rhythm punch" for the music, replacing the song's previously sparse beats and minimal keyboard lines.
Tennant started to write the song when he was staying at his cousin's house in Nottingham while watching a gangster film. Just when he was going to sleep he came up with the lines: "Sometimes you're better off dead, there's a gun in your hand and it's pointing at your head". The lyrics were inspired by T.S. Eliot's poem The Waste Land, particularly in the use of different narrative voices and arcane references. The song's lyrics are largely concerned with class, inner-city pressure. Tennant later said that some listeners had assumed the song referred to prostitutes, but was actually, "about rough boys getting a bit of posh."
Sound-wise, the 1985 version also features a considerably smoother arrangement than the 1984 version, trading out the collage of disjointed samples (such as glass breaking and Tennant shouting the word "I") in favour of soft synth pads and Hague's Emulator trumpet solo. At the same time, however, the 1985 version “starts off like a film noir", opening with ambient traffic sounds not heard in the 1984 version. In the liner notes to the 2001 reissue of Please, Tennant noted that this was born out a desire for "filmic" music.
The 1985 single has also been described as dance-pop, disco, and new wave.
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