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howtodisappearr
Come at the end of the shift, We'll go and get pissed!!!!!!! (One of the funniest and wittiest songs of Pink Floyd, really)
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PinkFloydrulez
this song is so fucking grody i'd rather have to hear that god damn gotye song one more time
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StupidGenius
S'cusi dove il bar? Se para collo pou eine toe bar? S'il vous plait ou est le bar (Say it in English, fairy!) OI, WHERE'S THE FUCKING BAR, JOHN!
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Abomination317
Worst song of the album. Luckily this is PF's last attempt (all of which failed) at rocking hard, because it was obvious that they really couldn't do it.
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PartySanCTG
There is something really thrilling about hearing Gilmour angrily yelling "fuck" so much.
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KyleFuckingHyde
yeah nah this is the best song on the ablum for me. Also a nice break from the other tracks.
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atwistedpath
"it's the only thing that keeps the Final Cut from being a perfect album." [2] i don't dislike this song, but it totally disrupts the flow and the feels of the album as a whole. it's just...there. like a big, loud, unnecessary distraction.
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CanadianJables
[Continued from below] However, I do believe that people weren't expecting it to be so heavy. Although The Wall was also a high concept album, it had hooks. It had songs like 'run like hell', 'another brick in the wall pt. 2' and 'young lust' that provided some stylistic levity. The Final Cut is ALL atmosphere, ALL about the lyrics and ALL about the slow, deliberate pace. I still enjoy the album quite a bit, simply because that atmosphere is so effective and the lyrics are fantastic and biting, but Waters needed Gilmour to provide that balance, and he didn't have him on this album.
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CanadianJables
"People dislike it, because sound-wise, it's such a huge step back. Just when people were getting used to the long compositions and the amazing soundscapes of the previous albums, suddenly you get this traditional kind of rock record. It's just wasn't what people were expecting or hoping for. " I'm sorry, but are your ears working? This album is the farthest you can get from being a traditional rock record while still being called rock music. Also, this album is extremely similar in style to The Wall: high concept, shorter songs, heavy on atmosphere. It's a perfectly logical progression from the wall, and I have a hard time believing that people expected anything else, stylistically. [Continued]
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