Wiki
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Release Date
1 January 1968
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Length
9 tracks
Safe at Home is a 1968 album by American country rock group The International Submarine Band, led by the then-unknown 21-year-old Gram Parsons. The group's only album release, Safe at Home featured four of Parsons' original compositions rounded out by six covers of classic country and rock and roll songs made famous by the likes of Johnny Cash, Elvis Presley, Merle Haggard, and Hank Snow. Described as "hippie and hillbilly in equal measure", the album is considered to helped to forge the burgeoning country rock movement of the late 1960s and early 1970s.
In many ways, the album sounds more purely "country" than Parsons' best-known work; the Burritos' crucially important R&B edge had yet to make its presence felt in Parsons' music, and on these sessions the rock influence is often more felt than heard (probably due in part to the presence of Nashville session veterans who pitched in on piano and pedal steel). But Parsons' considerable gifts as a songwriter were already evident on tunes like "Blue Eyes" and "Luxury Liner," and while there's a touch less grace in Parsons' vocals than on his best work, his passion, understated wit, and deep love for country music are always in the forefront. And while Parsons is the star of this show, his bandmates – John Nuese and Bob Buchanan on guitars, Jon Corneal on drums, and future Burrito Chris Ethridge on bass – are solid, soulful, and firmly in the pocket throughout. If Safe at Home sounds like a rough draft for Parsons' later triumphs, it's also a fine record on its own terms, and leaves little doubt that the International Submarine Band's leader had something special right from the start. [Sundazed's 2004 reissue of the album adds an unreleased bonus track, the Marty Robbins/Guy Mitchell hit "Knee Deep in the Blues," and a new liner essay from Parsons biographer Sid Griffin, as well as brief notes from Tim Connors of the "Byrdwatcher" website. Bob Irwin also remastered the album, and it sounds notably different from Shilo's previous CD release; each version has different amounts of studio chatter prefacing songs, and the Sundazed edition has more echo and a slightly wider stereo "spread," though there also seems to be a touch more distortion in the high end, especially audible in the vocals.
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