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Biography

  • Years Active

    1974 – 1982 (8 years)

  • Founded In

    New York, United States

  • Members

    • Albert Barone
    • Americus Mungliole
    • Anthony Sinagoga
    • Barbara Ingram (1976 – 1978)
    • Bill O'Brien
    • Bobby Eli
    • Bunny Sigler
    • Carlos Martin
    • Carlton Kent
    • Carol Bramble
    • Charles Apollonia
    • Charles Collins
    • Charles Parker
    • Christine Reeves
    • Crusher Bennett
    • David Chun
    • Davis Barnett
    • Dennis Richardson
    • Diane Barnett
    • Don Renaldo
    • Earl Young
    • Edward Cascarella
    • Eric Huff
    • Evan Solot
    • Fred Joiner
    • George Bell
    • Gordon Edwards
    • Gov Hutchinson
    • Helen Kwalwasser
    • Isidro Ross
    • Jack Faith
    • Jack Wilson
    • Jeff Delinko
    • Jerry González
    • Jimmy DeJulio
    • Joe DeAngelis
    • John Bonnie
    • John R. Faith
    • Johnny Onderlinde
    • Joseph Cataldo
    • Julia Ann Barker
    • Kim Miller
    • Lance Elbeck
    • Larry Davis
    • Larry Gold
    • Larry Washington
    • Louis Opalesky, Jr.
    • Manny Oquendo
    • Michael Foreman
    • Minerva Perez
    • Norman Harris
    • Peter Nocella
    • Peter Quintero
    • Phil Hurtt
    • Ray Armando
    • Rene Mills
    • Richard Genovese
    • Richard Jones
    • Robert Hartzell
    • Robert Moore
    • Rocco Bene
    • Roger DeLillo
    • Romeo Di Stefano
    • Ron Baker
    • Ron Kersey
    • Ron Tyson
    • Ronnie James
    • Rudolph Malizia
    • T.J. Tindall
    • Venus Dodson
    • Victoria Matosich
    • Vincent Montana, Jr.

The Salsoul Orchestra was formed in 1974 in New York City, U.S.A. It was disbanded in 1982. The Salsoul Orchestra was the 'house orchestra' of Salsoul Records. It was mainly Vincent Montana, Jr. who wrote, conducted and produced the orchestra. The orchestra routinely included up to fifty members (including up to 18 violinists). Apart from it's own recordings, it played for numerous groups and artist on the Salsoul label. Montana got his start doing sessions for philly soul producers, and he adapted that lush style to disco, adding Latin motifs and textures.

Though Salsoul records had long been out of print, several were brought back in the mid-'90's. Many of the more recent 'house' music offerings owe more than a passing nod to the recordings of this orchestra.

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