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PorcusGrunzus
Maybe but then again he himself released the Mad Max score as Junkie XL so it is also his fault. Now with his other works like Terminator Dark Fate he uses only Tom Holkenborg.
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edubbwitthevdub
Yep, but Spotify has them uploaded as Junkie XL, so there's some issue in the chain somewhere. They don't just arbitrarily choose who gets the credit.
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Dalamar8
Про Junkie XL ничего плохого сказать не могу, обычно не берусь судить подобную музыку, вроде нормальная электронщина, но с 2002 года весь кинопродакшн Холкенборга является просто чудовищной унылостью, хотя он и не работал с хоть более-менее значимыми проектами, если за таковой, конечно, не считать всякие кинговские говнобашни.
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nDroae
Metal cover of Brothers in Arms by [artist]Little V[/artist]: https://www.youtube.com/watch?v=LCIY41hopq4 https://soundcloud.com/littlevmills/mad-max-brothers-in-arms-epic-rock-cover vv Please cite a source where he makes it clear that he wants his film scores to be listed primarily under his electronica stage name. Otherwise, this tag is at least equally correct.
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nDroae
'For Miller, the movie theatre is a place of enchantment—a “sanctum.” Miller claims that cinema can be understood as “a kind of public dreaming,” analogous to the songlines of Indigenous Australian creation myths. Movies, he claims, “sing us into being.” In comparing film to songlines, Miller relates how he conceives of film as “visual music.” Fascinated by how the art form allows the creator to take “little bits of celluloid and join them together like notes on a piano,” he cut his first feature, Mad Max, to be “a piece of visual rock and roll.”' https://thedissolve.com/features/exposition/1026-for-mad-maxs-george-miller-all-roads-lead-to-myth-/
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