Wiki
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Release Date
6 April 2004
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Length
14 tracks
Of Montreal's sixth album, Satanic Panic in the Attic, is a masterpiece of avant-garde indie pop. The album, released in 2004, marked a departure from the band's previous lo-fi sound and embraced a more polished and electronic sound.
At its core, Satanic Panic in the Attic is a celebration of love and life. Frontman Kevin Barnes had recently married his Norwegian wife Nina Grøttland, and the album is infused with a sense of joy and wonder that is contagious. The songs are filled with exuberant melodies, catchy hooks, and intricate arrangements that demand repeat listens.
What sets Satanic Panic in the Attic apart from other indie pop albums of the time is its willingness to defy genre and influence. The album draws inspiration from a wide range of sources, including 60s psychedelic rock, 80s synth-pop, and 90s indie rock, but creates a sound that is uniquely its own. The album's use of electronic instruments and production techniques adds an otherworldly sheen to the music, creating a dreamy and fantastical atmosphere that is both playful and profound.
Satanic Panic in the Attic is ultimately a triumph of songwriting, instrumentation, and production. The album's songs are filled with clever lyrics, unexpected chord changes, and inventive arrangements that showcase the band's technical prowess and musical ingenuity. The production is crisp and imaginative, with each song offering a kaleidoscope of sounds and textures that never feel cluttered or overwhelming.
In the right hands, Satanic Panic in the Attic can be a transformative listening experience. It has the power to symbolize the joys and wonders of everyday life, whether it's the rush of new love, the excitement of solo travel, or the thrill of discovering a new place. It's an album that celebrates the beauty and mystery of the world, and reminds us that there is always something new to discover and appreciate.
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