Biography

  • Years Active

    1976 – present (49 years)

  • Founded In

    Paris, Île-de-France, France

  • Members

    • Alain Billard
    • Alain Damiens
    • Alain Planès (1977 – 1981)
    • André Cazalet
    • André Trouttet (1984 – present)
    • Antoine Curé (1981 – 2012)
    • Aurélien Gignoux (2021 – present)
    • Benny Sluchin
    • Charles-André Linale
    • Christophe Desjardins (1990 – present)
    • Daniel Arrignon
    • Daniel Bourgue (1976 – present)
    • Daniel Ciampolini (1980 – 2001)
    • Didier Pateau (1978 – present)
    • Diego Tosi (2006 – present)
    • Emmanuelle Ophèle-Gaubert
    • Eric-Maria Couturier
    • Florent Boffard
    • Frédérique Cambreling (1993 – 2018)
    • Grégoire Simon
    • Géraldine Dutroncy
    • Gérard Buquet (1976 – 2001)
    • Gérard Caussé (1976 – 1982)
    • Hae-Sun Kang
    • Hidéki Nagano (1995 – present)
    • Jacques Deleplancque (1981 – 1993)
    • Jacques Ghestem
    • Jean-Paul Céléa (1976 – present)
    • Jeanne-Marie Conquer
    • Jean‐Christophe Vervoitte
    • Jean‐Guihen Queyras
    • Jens McManama (1979 – present)
    • Jérôme Comte
    • Jérôme Naulais (1976 – present)
    • Lucas Ounissi (2024 – present)
    • László Hadady (1980 – present)
    • Magali Mosnier
    • Marie-Claire Jamet
    • Martin Adámek (2016 – present)
    • Maryvonne Le Dizès (1978 – present)
    • Odile Auboin
    • Pascal Gallois
    • Philippe Grauvogel
    • Philippe Muller (1976 – 1983)
    • Pierre Strauch
    • Pierre‐Laurent Aimard (1976 – 1994)
    • Samuel Favre
    • Sophie Cherrier
    • Sébastien Vichard (2006 – present)
    • Valeria Kafelnikov (2018 – present)
    • Victor Hanna (2012 – present)

The Ensemble intercontemporain is a chamber orchestra specializing in music.

The Ensemble intercontemporain was formed in 1976 by Pierre Boulez. It was conceived as a group of 31 soloists, who could play orchestral literature or literature for any combination of instruments. At first, the idea was for the ensemble to be more flexible than an orchestra, allowing composers to write for a more restricted group of instruments. This model has become quite prevalent in music for a variety of reasons, including the financial difficulties of orchestras in the late 1990s and early 2000s, and the increased responsibility that the smaller ensemble placed upon each player.

Many works that might have been conceived for orchestra are now being written with this instrumentation in mind. For example, Tristan Murail's Désintégrations, Helmut Lachenmann's "...zwei Gefühle...", Musik mit Leonardo, and Pierre Boulez's Répons, are all pieces that are somewhat orchestral in their depth of color, but have been written for smaller, less traditional ensembles.

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