Biography
Aaron and Jesus knew themselves when they were going to school. Jesus, who in that epoch was listening to Rage Against the Machine, Marvin Grye and Buddy Holly and had the longest toupee of the Valencian Community, saw Aaron in the stairs of the high school with a vest of Cradle of Filth, a Blondie rucksack, a few Megadeth knee pads and a few R.E.M. slippers. Time later they coincided with the marisquería/biblioteca of the college where they conversed on the evil I please the music that they were putting in the college (Velvet Underground, Hellhammer, Victor Jara) and this way it(he,she) began a great musical relation with that mystic " Me huelen the asillas, me huele the anus to shit, it(he,she) is that there is no in this world a male prostitute water closet for cagar? ", that in that moment was reciting Aaron with certain urgency and far from the lyric meaning that later would give I happen(pass) initially(originally) from the first EP, THE ROSE THAT ROTS.
What more was calling the attention in Holocaust Jesuit was his(her,your) lyric paragraph. Though the majority of the songs were coming from Aaron's inkstand (Aaron always used inkstand and a parrot had that Jesus was helping him(her) in moments of the panic to the blank page) also someone of the lyric ones wrote of the group very influenced by the poetry trobadoresca and pseudo-proto-clasicista, besides some trends avantgarde as the utilization of elements paralingüisticos (the musicians of study commented that it(he) was not strange to be snots in the lines of the choirs or blood). Nevertheless Aaron was the one who more exposed his(her,your) influences by means of winks to the Archpriest of Hita, Burroughs, Dan Brown, Holy Teresa de Jesus and other writers who were forming a part of the bedside table of this prolific lyricist.
Musically, Holocaust Jesuit always drank directly from the groups of Metal. In spite of his(her,your) exagerate(excessive) obsession with versionear " The Bamba " (it is said that there is a collection of more than 300 bootlegs only landfills with this version), it is said that this was a commercial unsuccessful(bankrupt) strategy to attract listeners(auditors) of other kinds(genres), since none of this 300 bootlegs in issues of 500 units was sold. Nevertheless, the world of the Heavy Metal always received them. The Vulpess Comatus turned on disc of the year, " The Raise of the Dollar against the Raise of the Yen " it(he,she) swept the MTV with a video of ten persons inside a minuscule room being chased(prosecuted) by Aaron clutching a motosierra. Vests, slippers, underpants with surprise, pasta(cash) of teeth of joke. The merchandising was running for all the neighborhoods pijos, for all the sewers of Spain. For the first interview of the Kerrang, up to the ring of Muniesa's weddings it was property of HJ Records.
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