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Biography

  • Years Active

    1939 – present (84 years)

  • Founded In

    Cienfuegos, Cienfuegos, Cuba

  • Members

    • Alberto Ribalta Beltrán (1949 – 1953)
    • Alejandro Tómas Valdés Soa (1965 – 1977)
    • Armando Amezaga Valera (1996 – present)
    • Celso Valdés Santandreu (1955 – present)
    • Dagoberto Pascual González Piedra (1963 – present)
    • Eduardo Ramón Rubio Pérez (1990 – present)
    • Efrain Loyola (1939 – 1952)
    • Erick Labaut Lay (2007 – present)
    • Ernesto Bacallao Serrano (1987 – present)
    • Filiberto Depestre Méndez (1939 – 1958)
    • Francisco Arbolaez Valdés (1941 – 1994)
    • Guido Sarría Rodríguez (1945 – 1977)
    • Guillermo Gonzalo García Valdés (1977 – present)
    • Horacio Rodriguez del Toro (2002 – present)
    • Inocente Arcadio Alvarez Pagán (1998 – 2002)
    • José "Pepe" Olmo Alvarez (1953 – 1997)
    • José "Pepe" Palma Perello (1941 – 1987)
    • José Beltrán Guzmán (1946 – 1985)
    • José Calazan Rolando Lozano (1952 – 1954)
    • José Palma Cuesta (1993 – present)
    • Juan Carlos Villegas Alfonso (1995 – present)
    • Julio Iznaga Piña (1984 – 1997)
    • Justo Emilio Rueda (1989 – 1995)
    • Lázaro González Sibore (1992 – present)
    • Noelio Morejón (1939 – 1941)
    • Orestes Aragón Cantero (1939 – 1948)
    • Orestes Varona (1939 – 1981)
    • Orlando Jesus Pérez Montero (1985 – present)
    • Pablo Romay (1939 – 1942)
    • Pedro Cardozo Moré (1995 – 1997)
    • Pedro Depestre González (1958 – 1962)
    • Rafael "Felo" Bacallao Hernández (1959 – 1993)
    • Rafael Felipe Lay Bravo (1981 – present)
    • Rafael Lay Apesteguía (1940 – 1982)
    • Remigio Dorticos (Ordóñez) (1951 – 1953)
    • René Candelario González (1939 – 1940)
    • René Lorente García (1984 – 1990)
    • Richard Egües (1954 – 1984)
    • Roberto Espinosa Rodriguez (1987 – present)
    • Rufino Roque Núñez (1939 – 1948)

Orquesta Aragón is a Cuban charanga band which was formed on 30 September 1939 by double bassist Orestes Aragón Cantero in Cienfuegos, Cuba. After moving to Havana, they gained great popularity. They have maintained the same instrumentation since, which involves violins, piano, flute, percussion, and vocals. The band has promoted the cha-cha-chá musical style since the 1950s. They are credited with having inspired New York mambo also of the 1950s.

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