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Dark Romanticism (often conflated with Gothicism or called American Romanticism) is a literary subgenre centred on the New England writers Edgar Allan Poe, Nathaniel Hawthorne and Herman Melville. As opposed to the perfectionist beliefs of Transcendentalism, the Dark Romantics emphasized human fallibility and proneness to sin and self-destruction, as well as the difficulties inherent in attempts at social reform.

G. R. Thompson stressed that in opposition to the optimism of figures like Emerson, “the Dark Romantics adapted images of anthropomorphized evil in the form of Satan, devils, ghosts, werewolves, vampires, and ghouls”, as more telling guides to man's inherent nature.

Thompson sums up the characteristics of the subgenre, writing:

Fallen man's inability fully to comprehend haunting reminders of another, supernatural realm that yet seemed not to exist, the constant perplexity of inexplicable and vastly metaphysical phenomena, a propensity for seemingly perverse or evil moral choices that had no firm or fixed measure or rule, and a sense of nameless guilt combined with a suspicion the external world was a delusive projection of the mind–these were major elements in the vision of man the Dark Romantics opposed to the mainstream of Romantic though

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