1
|
|
|
|
Intro
|
|
|
22 位听众
|
2
|
|
|
|
7 Writing Techniques so Good they should be Illegal
|
|
|
21 位听众
|
3
|
|
|
|
Laugh in the Face of Cannibals
|
|
|
21 位听众
|
4
|
|
|
|
The Rushed Ending
|
|
|
15 位听众
|
5
|
|
|
|
Make Your Character Carry Something
|
|
|
14 位听众
|
不想看到广告?马上升级
|
6
|
|
|
|
Physical Fantasies
|
|
|
14 位听众
|
7
|
|
|
|
Widen the Perception Gap
|
|
|
13 位听众
|
8
|
|
|
|
3 Things You Should Do Every Time You Introduce a New Character
|
|
|
13 位听众
|
9
|
|
|
|
How to Make Your Character Likable
|
|
|
13 位听众
|
10
|
|
|
|
Give Your Character an Odd Habit
|
|
|
13 位听众
|
11
|
|
|
|
Ending in the Middle
|
|
|
13 位听众
|
12
|
|
|
|
Contradictory Characters
|
|
|
13 位听众
|
13
|
|
|
|
Chekhov’s Armory
|
|
|
12 位听众
|
14
|
|
|
|
Sexual Fidelity as Key Morality
|
|
|
12 位听众
|
15
|
|
|
|
Create Foils
|
|
|
12 位听众
|
16
|
|
|
|
Outside Force Saves the Day
|
|
|
12 位听众
|
17
|
|
|
|
Male Friendships
|
|
|
12 位听众
|
18
|
|
|
|
Deeply Improbably Contradictions
|
|
|
11 位听众
|
19
|
|
|
|
The Stereotype
|
|
|
11 位听众
|
20
|
|
|
|
Only a Romantic Option
|
|
|
11 位听众
|
21
|
|
|
|
Plot Based Dialogue
|
|
|
11 位听众
|
22
|
|
|
|
The “Everything but the Kitchen Sink” syndrome
|
|
|
11 位听众
|
23
|
|
|
|
It was All A Dream
|
|
|
11 位听众
|
24
|
|
|
|
Men In General
|
|
|
11 位听众
|
25
|
|
|
|
Character Voice
|
|
|
11 位听众
|
不想看到广告?马上升级
|
26
|
|
|
|
Dialogue Ventriloquism
|
|
|
11 位听众
|
27
|
|
|
|
Unsolved Mysteries
|
|
|
10 位听众
|
28
|
|
|
|
Worldbuilding Vertigo
|
|
|
10 位听众
|
29
|
|
|
|
The Aesthetics over Ethics Trap
|
|
|
10 位听众
|
30
|
|
|
|
Inspiration Indigestion
|
|
|
10 位听众
|
31
|
|
|
|
Unearned Happy Endings
|
|
|
10 位听众
|
32
|
|
|
|
“Subtext is Everything” Syndrome
|
|
|
10 位听众
|
33
|
|
|
|
Metaphor Overdose
|
|
|
10 位听众
|
34
|
|
|
|
Checklist Character Development
|
|
|
10 位听众
|
35
|
|
|
|
Foundations of Dialogue
|
|
|
10 位听众
|
36
|
|
|
|
11 Terrible Ways to Start a Novel
|
|
|
9 位听众
|
37
|
|
|
|
Create a Transitional Situation
|
|
|
9 位听众
|
38
|
|
|
|
Predictable Endings
|
|
|
9 位听众
|
39
|
|
|
|
The “Gotcha” Spiral
|
|
|
9 位听众
|
40
|
|
|
|
Temporally Shortsighted
|
|
|
9 位听众
|
41
|
|
|
|
Lack of Character Motivation
|
|
|
9 位听众
|
42
|
|
|
|
I tried Nelson’s 9 Steps for Story Writing (and it's brilliant)
|
|
|
8 位听众
|
43
|
|
|
|
9 Description Blunders that Make Your Book Look Amateurish
|
|
|
8 位听众
|
44
|
|
|
|
Change the Point of View
|
|
|
8 位听众
|
45
|
|
|
|
Create a Ticking Clock
|
|
|
8 位听众
|
|
46
|
|
|
|
Write a story about something that happened to you
|
|
|
8 位听众
|
47
|
|
|
|
Scene Transitions Where Characters Wake or Sleep
|
|
|
8 位听众
|
48
|
|
|
|
I Edited 51 Novels Last Year. These are 9 Things EVERY Writer Should Know.
|
|
|
8 位听众
|
49
|
|
|
|
I Spent 9 Years Creating the Perfect Way to Introduce Characters
|
|
|
7 位听众
|
50
|
|
|
|
Talking in a Bar
|
|
|
7 位听众
|