|
1
|
|
|
|
Chaiyya Chaiyya
|
|
|
12 位听众
|
|
2
|
|
|
|
Liquid Dance
|
|
|
2 位听众
|
|
3
|
|
|
|
Dil Se Re (Berklee Indian Ensemble Cover)
|
|
|
2 位听众
|
|
4
|
|
|
|
Antara Nandy & Pooja Tiwari
|
|
|
2 位听众
|
|
5
|
|
|
|
Ringa Ringa
|
|
|
1 位听众
|
|
不想看到广告？马上升级
|
|
6
|
|
|
|
Paper Planes
|
|
|
1 位听众
|
|
7
|
|
|
|
Coming together of Diljit & Parineeti
|
|
|
1 位听众
|
|
8
|
|
|
|
Longevity of a song
|
|
|
1 位听众
|
|
9
|
|
|
|
Importance of Main Hoon Punjab
|
|
|
1 位听众
|
|
10
|
|
|
|
Impact of AI in the music industry
|
|
|
1 位听众
|
|
11
|
|
|
|
07 - Liquid Dance
|
|
|
1 位听众
|
|
12
|
|
|
|
How does Rahman choose to sing songs?
|
|
|
1 位听众
|
|
13
|
|
|
|
Live music in Chamkila
|
|
|
1 位听众
|
|
14
|
|
|
|
Balance between artistic freedom & commercial demands
|
|
|
1 位听众
|
|
15
|
|
|
|
Pressure to make great music after Rockstar
|
|
|
1 位听众
|
|
16
|
|
|
|
Equation between Imtiaz & Rahman
|
|
|
1 位听众
|
|
17
|
|
|
|
Contrasting personality of Chamkila & double meaning lyrics
|
|
|
1 位听众
|
|
18
|
|
|
|
Creative conflict
|
|
|
1 位听众
|
|
19
|
|
|
|
Introduction
|
|
|
1 位听众
|
|
20
|
|
|
|
Making music in Punjabi for Chamkila
|
|
|
1 位听众
|
|
21
|
|
|
|
What to expect?
|
|
|
1 位听众
|
|
22
|
|
|
|
Does Rahman get self critical?
|
|
|
1 位听众
|
|
23
|
|
|
|
Moopilla Thamizhe Thaaye (Tamil Anthem)
|
|
|
1 位听众
|
|
24
|
|
|
|
Kaise Mujhe ( Instrumental )
|
|
|
1 位听众
|
|
25
|
|
|
|
Ye Haseen Vadiyan
|
|
|
1 位听众
|
