|
1
|
|
|
|
C Drone
|
|
|
36 位听众
|
|
2
|
|
|
|
Bb Drone
|
|
|
34 位听众
|
|
3
|
|
|
|
A Drone
|
|
|
33 位听众
|
|
4
|
|
|
|
G Drone
|
|
|
24 位听众
|
|
5
|
|
|
|
D Drone
|
|
|
23 位听众
|
|
不想看到广告？马上升级
|
|
6
|
|
|
|
This Baroque Composer Created Insane Polytonality!
|
|
|
23 位听众
|
|
7
|
|
|
|
B Drone
|
|
|
21 位听众
|
|
8
|
|
|
|
Ab Drone
|
|
|
17 位听众
|
|
9
|
|
|
|
E Drone
|
|
|
16 位听众
|
|
10
|
|
|
|
F Drone
|
|
|
16 位听众
|
|
11
|
|
|
|
This Jazz Pianist Destroyed Autumn Leaves
|
|
|
15 位听众
|
|
12
|
|
|
|
Maurice Ravel's Stunning Piano Writing
|
|
|
11 位听众
|
|
13
|
|
|
|
Eb Drone
|
|
|
10 位听众
|
|
14
|
|
|
|
Gb / F# Drone
|
|
|
10 位听众
|
|
15
|
|
|
|
The Truth About The Moonlight Sonata
|
|
|
9 位听众
|
|
16
|
|
|
|
Beethoven's Farewell To The Piano
|
|
|
9 位听众
|
|
17
|
|
|
|
You've Never Heard This Version of Für Elise
|
|
|
8 位听众
|
|
18
|
|
|
|
Db Drone
|
|
|
7 位听众
|
|
19
|
|
|
|
This Baroque Composer Created Insane Polytonality
|
|
|
6 位听众
|
|
20
|
|
|
|
Maurice Ravel's Volcanic Orchestration
|
|
|
5 位听众
|
|
21
|
|
|
|
When Beethoven Invented Boogie-Woogie 100 YEARS EARLY
|
|
|
4 位听众
|
|
22
|
|
|
|
River Man - The Stunning Harmony of Nick Drake
|
|
|
4 位听众
|
|
23
|
|
|
|
When Mozart invented the WHOLE TONE SCALE 100 years early
|
|
|
3 位听众
|
|
24
|
|
|
|
That time when Mozart created a 12 tone row 140 YEARS EARLY! (Epilepsy warning - flashing images)
|
|
|
3 位听众
|
|
25
|
|
|
|
Intro
|
|
|
3 位听众
|
|
不想看到广告？马上升级
|
|
26
|
|
|
|
Is This Composer the 20th Century's Chopin?
|
|
|
3 位听众
|
|
27
|
|
|
|
When a French Baroque composer invented POLYCHORDS 200 YEARS EARLY
|
|
|
3 位听众
|
|
28
|
|
|
|
When Erik Satie Invented a Genre
|
|
|
3 位听众
|
|
29
|
|
|
|
When Erik Satie invented a new kind of music: Gnossienne 1
|
|
|
2 位听众
|
|
30
|
|
|
|
Clara Schumann's Incredible Piano Trio
|
|
|
2 位听众
|
|
31
|
|
|
|
When Mozart invented the WHOLE TONE SCALE 100 years early!
|
|
|
2 位听众
|
|
32
|
|
|
|
Matthew King plays the 2nd half of Erik Satie’s 4th Gnossienne
|
|
|
2 位听众
|
|
33
|
|
|
|
Beethoven’s deafness affecting his textures
|
|
|
2 位听众
|
|
34
|
|
|
|
Beethoven’s crazy life
|
|
|
2 位听众
|
|
35
|
|
|
|
Beethoven was a nobody!”
|
|
|
2 位听众
|
|
36
|
|
|
|
In Beethoven’s case, the form is all”
|
|
|
2 位听众
|
|
37
|
|
|
|
Comparison with Berlioz and the younger generation
|
|
|
2 位听众
|
|
38
|
|
|
|
Simplicity is a hugely undervalued quality
|
|
|
2 位听众
|
|
39
|
|
|
|
He spent his whole life trying to write a good fugue
|
|
|
2 位听众
|
|
40
|
|
|
|
Lenny’s really going for Beethoven
|
|
|
2 位听众
|
|
41
|
|
|
|
A digression about Beethoven’s unfinished String Quintet sketch
|
|
|
2 位听众
|
|
42
|
|
|
|
Orchestration? The 8th Symphony
|
|
|
2 位听众
|
|
43
|
|
|
|
Beethoven’s influence on Mendelssohn
|
|
|
2 位听众
|
|
44
|
|
|
|
Schubert was obsessed with this material
|
|
|
2 位听众
|
|
45
|
|
|
|
Do you like the melody?
|
|
|
2 位听众
|
|
|
|
46
|
|
|
|
Is Beethoven a great melodist?
|
|
|
2 位听众
|
|
47
|
|
|
|
The chromatic drop
|
|
|
2 位听众
|
|
48
|
|
|
|
Chopin wrote a fugue
|
|
|
2 位听众
|
|
49
|
|
|
|
Introduction with Loki
|
|
|
2 位听众
|
|
50
|
|
|
|
An example from the Appassionata
|
|
|
2 位听众
|
